前几年,在我批评杨红樱创作的童书印得多、写得差时,曾举出瑞典作家林格伦的题材相近的作品作比较。我的意思很简单,同样写调皮孩子的故事,人家为什么写得那么好?我们难道不应该学习世界优秀儿童文学的长处,把作品写得更自然更有趣也更具内涵吗?这时有年轻的批评家起来辩驳,说我找错了比较的对象,因为我 A few years ago, when I criticized Yang Hongying’s children’s books for printing much and writing poorly, I quoted works by Swedish writer Lindgren as similar as their counterparts. My point is very simple, also write the story of naughty children, why people write so well? Should we not learn the strengths of the world’s best children’s literature, writing works more natural and more interesting and more connotation? At this time there are young The critics up to argue that I find the wrong object, because of me