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前人对俗讲和影戏渊源关系的研究,所关注与论述的大多是二者外部的一些联系,诸如诞生传说、表现形式(外在的、借鉴图像展演这一形式)等。而未能充分注意到对二者的音乐、唱词等内部事象进行考察与研究。笔者在田野工作和案头工作的交互进行的基础上,从乐亭影戏的人物造型、剧目、表演的社会功能、词格和音乐等方面,论述了乐亭影戏与俗讲的密切渊源关系。从俗讲中汲取的营养正是乐亭影戏音乐重要的母体基因之一,是乐亭影戏音乐多元构成的一个重要方面。
The predecessors’ researches on the relationship between vulgarity and film play mostly focus on the external relations between the two, such as the birth tale, the manifestation (extrinsic, the form of image exhibition). But failed to fully pay attention to the two things such as music, libretto and study and study. Based on the interaction between field work and desk work, the author discusses the close relationship between Laoting shadow play and vulgar talk from such aspects as the style, the repertoire, the social function of performance, the expression of words and the music of Laoting shadow play. It is one of the most important maternal genes in Laoting’s film music that is learned from the vulgar talk about nutrition. It is an important aspect of multi-element music composition in Laoting.