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最能体现凌叔华小说创作意义的是她的小说集《花之寺》和《女人》,因为作品中的女性形象有别于同时代作家笔下的“时代新女性”,而被称为“新闺秀”小说的代表。不管当初这个称谓是褒是贬,但至今仍受到人们的关注。本文认为,凌叔华小说中的闺秀形象有深远的文化意蕴:这些女性形象是中国传统文化和传统文明化育的结果,同时又是人类女性身份中与生俱来的特质的必然结果。
Her novel collection “Flower Temple” and “Woman”, which best embodies the meaning of Ling Shuhua’s novels, is different from the “New Female of the Times” written by contemporary writers and is called “New Lady ”The novel’s representative. Regardless of the original title is praise is a derogatory, but still received the attention of people. This paper argues that the image of ladylike in Ling Shuhua’s novels has profound cultural connotations. These female images are the result of the traditional Chinese culture and the education of traditional civilizations, and are the inevitable result of the innate qualities of the human female identity.