现代学者对赋的研究从未停止过,把赋比喻成植物中的石楠花,1种类多易产生新品。“赋者,铺也,铺采摛文,体物写志。”2赋的一个很重要的艺术特征就是文辞上的华丽和铺陈排比,也正是这个原因赋历来受到批评,较多人认为其缺乏思想内容,辞藻过分华丽。本文试从赋的两种形式骚体赋和散体大赋,论述赋的铺陈的特点,说明赋的铺陈排比真正是文学表现技巧的一次跃进。 Modern scholars have never stopped the study of Fu, the Fu analogy into heather in the plant, a species more likely to produce new products. “Fu person, shop also, paving the curtain 摛 text, physical writers.” 2 Fu is a very important artistic feature is the gorgeous rhetoric and display Pai, it is also for this reason Fu has always been criticized, more People think its lack of ideological content, rhetoric too gorgeous. This paper attempts to examine the characteristics of Fu’s elaboration from the two forms of Fu and Fu in the form of Fu and Fu, and illustrates that Fu’s overtaking is actually a leap forward in literary expression skills.