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在20世纪50年代末到60年代的西方抽象绘画中,美国画家赛伊·通布利以他独特的风格在其中独树一帜。本文通过分析通布利涂鸦式抽象绘画在观念上的来源,比较抽象表现主义(波洛克)、涂鸦艺术与通布利作品的差异,探讨了其形式的独特之处及其背后所蕴含的重要的文化指向。在此基础上,从罗兰·巴特所强调的书写性出发,分析通布利绘画中身体行为与文化符号之间的关系,以及这一关系对于其绘画意义和价值的生成所发挥的重要作用和影响。
In the Western abstract paintings from the late 1950s to the 1960s, the American painter Sae Tongstone was unique in his unique style. By analyzing the source of the concept of the abstract graffiti of Thongbury and comparing the differences between abstract expressionism (Pollock), graffiti art and Thongbury’s works, this paper explores the uniqueness of the form and the significance behind it Cultural point. On this basis, starting from the writing power emphasized by Roland Barthes, this paper analyzes the relationship between the body behavior and cultural symbols in the Tuplly paintings and the important role that this relationship plays in the formation of the meaning and value of painting. influences.