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钢琴的歌唱性弹奏是钢琴演奏和教学中值得重视的主要问题之一。我们知道钢琴音域宽广、音色丰富、力度多变、转调方便,最擅长演奏多声部音乐作品,是众多乐器中最具有表现力的一种乐器,也是最具有歌唱性的一种乐器。但我在教学中和在听一些钢琴学生的专业汇报音乐会中,经常发现一些学生的演奏不仅没有很好地体现出如上所述钢琴这一最为世人普遍喜爱的特点和特长,也没有充分地表现出这一最具有歌唱性和最令人感动和神往的乐器的功能与魅力,甚至于还有不求甚解和粗制滥造的现象。
Piano singing performance is one of the main issues worthy of attention in piano performance and teaching. We know piano wide range, rich tone, changing dynamics, easy transfer, best at playing multi-voice music works, is one of the most expressive instrument of many instruments, but also the most singing a musical instrument. However, during my teaching and listening to some professional piano concert students, I often found out that some students’ performance not only failed to fully reflect the most commonly loved features and special features of the piano as mentioned above, nor did they fully Showing the function and charm of this most singular and touching and fascinating musical instrument, even unscrupulous and rude.