逼近世纪末,“诗,歉收并已落尽了/你要靠什么养活自己”(查干:《对话》)。诗,果真红颜已衰,春色输尽了吗?还是我们在坚守什么,进而排斥什么;以至用人造的语言屏障把诗歌关锁。无论坚守抑或排斥,有一点是不能动摇的,那就是以宽容的眼光来审视90年代的诗歌创作,给每一种风格以存在的空间。 As we approach the turn of the century, “Poetry, a poor harvest, and the loss of what you depend on for yourself” (Chagan: Dialogues). Is poetry really red-colored, has spring lost? Or is it what we are sticking to and what we reject; and we use the artificial language barrier to block our poetry. Regardless of adherence or exclusion, one thing that can not be shaken, that is, with a tolerant look at the poetry of the 90’s to give each style to the existence of space.