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据《大昭寺目录》(五世达赖洛桑嘉措著)记载,西藏的第一幅唐卡,是“法王〈松赞干布〉用自己的鼻血绘了一幅白拉姆女神像。”唐卡,是由彩缎装裱而成的卷轴画,便于悬挂,易于收藏,多绘度母、菩萨、本尊神、上师和护法神,也有天文历算、藏医藏药,更有藏族历史演化图,藏汉民族交流图等等,是藏族文化史上璀灿的艺术明珠。藏学界认为,大约十三世纪,西藏绘画史上产生了久岗巴画派。该派主要受到尼婆罗(尼泊尔)画风影响而自成一体,画的艺术特征主要是表现宁静和稳重,绘画没有天空背景。从久岗画派分化出温孜派和钦孜派,温孜派就是现称的门当派,创始人麦拉顿珠嘉措,山南洛扎人,生活在十五世纪初叶。该派以绘制和平神著称于世,表现出度母等的慈悲形象,形态优美,栩栩如生。绘画背景常有天地之分,天上的浮云,地上的山水等。
According to the “Catalog of Jokhang Temple” (the fifth Dalai Lausanne Gyatso), the first Thangka in Tibet was “a statue of the white king of Ramseshah.” Thangka is a scroll painting framed by colorful satin, which is easy to hang and easy to collect. It also shows the mother, the bodhisattva, the deity, the guru and the Dharma God, astronomy, Tibetan medicine, and Tibetan history Figure, Tibetan and Chinese ethnic exchange map, etc., is the bright pearl in the history of Tibetan culture. Tibetan studies believe that about the 13th century, the history of Tibetan painting produced a long Gang Pakistan school. The school is mainly influenced by Nepalese (Nepal) style of painting. The artistic features of the painting are mainly serenity and stability, and there is no sky background in the painting. From the long-Gang painting division of the Wensizi and Qinzipi, Wensizi is now known as the door when the faction, the founder Maizhuangzhujacuo, Shannan Luozha people, living in the early fifteenth century. The faction is known for its peace of mind and shows the compassionate image of degree mother and so on, in a beautiful and lifelike manner. Often the background of painting the world, the clouds in the sky, the landscape and so on.