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“审美意象”是康德的美学的一个核心范畴,在论述审美意象的创造和构建时,他不仅看到感性与知性的作用,而且在充分强调想象力作用的基础上,又特别重视理性、天才在其中的作用。中国的审美意象理论注重从整体的角度去认识和把握世界,把人和自然界看作一个互相融合的有机整体,蕴涵着自然界与人类社会融为一体的观念,反映出以“天人合一”为基调的整体和谐性的思维。中西方审美意象的概念是在抽象与形象的对举中确立其涵义的,在某种意义上,象征、兴象、寓言和比象是形成审美意象的手段。
“Aesthetic image ” is a core category of Kant’s aesthetics. When discussing the creation and construction of aesthetic imagery, he not only sees the role of perceptual and intellectual, but also emphasizes rationality while fully emphasizing the function of imagination The genius in which the role. China’s aesthetic imagery theory focuses on recognizing and grasping the world from an overall perspective. It regards man and nature as an organic whole integrated with each other and contains the concept of the integration of nature and human society. It reflects that “ ”As the tone of the overall harmony of thinking. The concept of aesthetic imagery in China and the West is to establish its meaning in the dialogue between abstract and image. In a sense, symbols, images, allegories and contrasts are the means of forming aesthetic images.