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从北魏至唐代,道教造像体系也渐渐有了南北之别。当北方还在承接周、隋之余续时,南方川蜀地区已经发展成为一个严格的造像体系。从现在的遗存来看,北方多为造像碑,单体造像虽有,但不成系统,而南方则继承了北齐、北周以来石刻造像的形态,并向大型化、系统化发展。就题材而言,北方多以老君为主,而南方的造像题材多以天尊为主。这些都说明了至唐代时道教因其自身的发展使得道教造像产生了地域特色。
From the Northern Wei Dynasty to the Tang Dynasty, the system of Taoist statues gradually became different from north to south. When the north was still taking over the Zhou Dynasty and the Sui period continued, the Sichuan-Sichuan region in the south had developed into a strict system of figurines. From the current relics, most of the northern statues are statues, monolithic statues, though not systematic, while the southern ones inherit the shapes of the statues of the stone carvings from the Northern Qi and the Northern Zhou Dynasties to large-scale and systematic development. As far as the subject matter is concerned, Laojun is the dominant force in the north, while the southern statues are dominated by Tianzun. All of these show that the Taoism made the local characteristics of the Taoist statues because of their own development till the Tang Dynasty.