佛教自两汉之际传人中国,长安逐渐成为佛教文化昌盛之地,魏晋十六国时期,长安名僧云集,佛法大兴,佛法艺术也随之兴起。伴随着佛教的隆盛,长安的佛教艺术也盛极一时,留下大量各代精美的佛教艺术品。西安碑林博物馆收藏的佛教石刻造像,数量多,时间跨度长,形式各样,出土地基本为关中地区,反映了佛教艺术在中国的发展历程。西安碑林博物馆石刻艺术陈列室中的两尊北魏“弥勒造像”和“双龛造像”是西安碑林博 Buddhism spread to China from Han Dynasty to Han Dynasty, and Chang’an gradually became a place where Buddhism and culture flourished. In the period of the Wei, Jin and Sixteen Kingdoms, Buddhism and Dharma also rose with the rise of Buddhism and Dharma in Chang’an. With the flourishing of Buddhism, the Buddhist art in Chang’an is also very popular, leaving a large number of fine art works of Buddhism from generation to generation. The statues of Buddhist stone carvings collected by Xi’an Beilin Museum are numerous in quantity and long in time and in various forms. The basic place for the excavation is the Guanzhong area, which reflects the development of Buddhist art in China. Xi’an Beilin Museum stone art showroom in the two Northern Wei “Maitreya statues ” and “double niche statues ” is Xi’an Beilin