主持人语都说我们处在一个转型的时代的,都说艺术是时代的“睛雨表”,这是不言而喻的;但是,我们尤应关注的是,在这一口号下产生的具有转折意义的新的艺术特征和新的精神需要。这就要求我们的艺术家及其作品共同把新的审美眼光和新的心灵需求外化为一种新的艺术成果,并进而形成一个特定时代关于典范的审视标准。当代中国画坛多元化格局虽已成定势,但其基本品性都具有某种程度不同的现代性,这样的认知并不意味着中国美术发展现状对现代性本身的无条件认同。事实上,冷眼回眸走过的道路,便不难发现这个过程的令人遗憾之处:急促、粗糙、盲目……,并没有像最初所憧憬的那样体现出民族与时代的手笔,甚至可以说,留下的不少只是时代苍白的印痕、绘画,从传统至近代,不乏善与美的体现,也不乏大手笔问世,他们的作品都凝聚着理想的精神力量和精湛的技艺。而当代绘画,恰恰因为处在现代化的急流之中,总体上便与现代艺术一致地告别了艺术的精致,也同时告别了审美的精品化和艺术史意义上的经典化,按说,当代的物质条件和人文精神高度所提供的广阔时空是足以营造传世之艺术精品的。就此而言,我们这样向自身发出诘问:我们真正缺少的是什么?为什么还未来得及“力量”的聚合,便又迅速改换了追随的“门庭”。如此满足于更其“现 It is self-evident that the host language says that we are in an era of transition, and that art is the “rain-table” of the times. However, we should pay particular attention to what is going on under this slogan New Artistic Features and New Spiritual Needs with Turning Point. This requires that our artists and their works jointly externalize the new aesthetic vision and new spiritual needs into a new artistic achievement and thus form a standard of examination on the model in a particular era. Although the pluralistic structure of contemporary Chinese painting has become a definite trend, its basic characteristics have some degree of modernity. Such cognition does not mean unconditional acceptance of the status quo of Chinese art on modernity itself. In fact, it is not hard to find the regrettable part of the process of walking through the cold eyes: the hurry, the roughness and the blindness... It does not reflect the nationality and the times as originally envisioned. It can even be said Many of the paintings left behind are pale marks of the times. Painting, from the tradition to the modern one, has many good and beautiful manifestations. There is also a great deal of great art to come out. Their works embody the ideal spiritual strength and superb artistry. It is precisely because of the rapid stream of modernization that contemporary paintings, in general, bid farewell to the exquisiteness of art in line with the modern art. At the same time, they also bid farewell to the aesthetic refinement and the classical classics in the meaning of art history. According to the statement, contemporary material The vast space and time provided by conditions and humanistic spirits is enough to create a masterpiece of the world. In this regard, we issue the same question to ourselves: What do we really lack? Why is it not yet possible for the “power” to converge? So content with more "now