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话剧创作陷入困境,这是事实;话剧评论在前一个时期里陷入迷途,也是事实,但似乎还没有引起人们足够的注意。创作的困境和评论的迷途,构成了话剧危机的重要内容。人们为此而陷入苦恼,也在千方百计地寻找各种良方。在我看来,除了保证剧作家有真正的创作自由,评论家有真正的评论自由,还有一个关健:根除“左”倾思想顽症。不能否认话剧评论工作的历史成就。十一届三中全会以来,在文艺战线冲破“左”的思想枷锁的浪潮中,话剧评论工作相当出色。它坚决批判“三突出”等谬种,勇敢地推动了话剧艺术的发展。对推荐、评
It is a fact that drama writing is in trouble. It is also a fact that drama criticism was lost in the previous period, but it seems that it has not attracted enough attention. The dilemma of creation and the distraction of criticism constitute an important part of the drama crisis. People are in distress for this purpose, and are trying every possible means to find various kinds of prescriptions. In my opinion, in addition to ensuring that dramatists have real freedom of creation, critics have real freedom to comment. There is one more key point: to eradicate the “leftist” thinking chronic problem. Can not deny the historical achievements of drama reviews. Since the Third Plenary Session of the 11th Central Committee of the Communist Party of China, in the tide of breaking the shackles of the “leftist” ideology in the literary and art front, drama commentary has been quite outstanding. It resolutely criticized the “three prominent” and other fallacies, bravely promoted the development of drama art. To recommend, comment