Y:关于教材,虽然我们引进了一些譬如《巴斯蒂安》、《菲伯尔》等钢琴教程,但是在实际教学中还是普遍沿用拜厄、车尔尼系列,请问两位老师在教材选用方面有什么建议?Z:必学不可的东西始终是巴赫,以巴洛克音乐为主对于加强学生在复调、和声方面的意识很重要,小巴赫、小莫扎特等德奥巴洛克时期的简易作品以及意大利、西班牙、英国等同时期的作品都是必要的选择,非常有益处。我也借此机会向大家推荐一下《周广仁钢琴手指基本练习》,很适合中国琴童熟悉大小调性、锻炼手指,由人民音乐出版社今年一月出版。 Y: Regarding the teaching materials, although we have introduced some piano tutorials such as “Bastian” and “Fieber”, we still use the Beyer and Cherniya series in practical teaching. Z: what we must learn is always Bach, baroque music is mainly to strengthen students’ sense of polygamy and harmony is very important, Xiao Bach, Mozart and other simple works of the Austrian Baroque period Works of the same period, such as Italy, Spain and Britain, are all necessary choices and are very useful. I also take this opportunity to recommend to everyone “Zhou Guangren piano fingers basic exercises”, it is suitable for Chinese piano children familiar with the size and tone, exercise fingers, published by the People’s Music Press in January this year.