论文部分内容阅读
高甲戏的丑角表演十分引人注目,民间流传着“无丑不成戏,无技不成丑”的说法。进入二十世纪以来,高甲戏丑角行当快速崛起,高甲戏“四大名丑(柯贤溪、陈宗熟、林赐福、许仰川)”的出现,将高甲戏丑角艺术的发展提升到一个全新的高度。一、高甲戏丑角行当概述(一)高甲戏丑角行当结构体系清末民初,高甲戏丑角开始逐步改变游离于正统戏曲表演之外的“配戏”状态,其诙谐反讽的表演
Harlequin performance of high A drama is very compelling, folk circulated “no ugly no play, no skill is not ugly ” argument. Since the beginning of the 20th century, the emergence of a high-joker clown has rapidly risen to a whole new level with the advent of high-grade drama “The Four Famous Cliffs (Ke Xianxi, Chen Zongshu, Lin Bifu, Xu Yangchuan) the height of. I. Outline of the Harlequin of the High A Jail (I) Structure of the Joker of the High A Jail The structure of the Harlequin of the High A Jail began to gradually change the state of ”play" outside the performance of the orthodox drama, and its witty and ironic performance