在中国人物画的创作中用笔、用墨色是不可分割的两个方面。“笔由墨现,墨自笔出”。更有东坡先生得一碗墨“胜似千金的”佳话,赵子昂提出“以书入画”则将书法经验与水墨画韵味结合,提倡笔墨情趣。在水墨人物画中,对象形体、意境、书卷气等。都是通过用笔的力道,墨色的浓淡、轻重、枯润、对比和丰富之效果。 In the creation of Chinese figure painting with pen, ink is inseparable with two aspects. “Pen by the ink is now ink from the pen ”. More Mr. Dongpo got a bowl of ink “wins like daughter ” story, Zhao Ziang proposed “book into the painting ” is the combination of calligraphy experience and ink charm, to promote ink and wash fun. In the ink figure painting, the object body, mood, bookish and so on. Through the force of the pen, the color shades, heavy, dry, contrast and rich effect.