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受人类自身的历史局限性与时代的意识超前性影响,人们对《1844年经济学哲学手稿》中构造当代美学各体系的三个维度--类本质、尺度与异化进行了不同的逻辑表征,也在不同程度上弱化了对马克思美学思想的理解。本文意在通过解构当下的惯性思维,并结合我国的现实语境,试构由作为类存在所显现的美到其异化消解的全过程,以将当代问题代入到前人研究之中,以使理论观点得到现实升华。
Influenced by the historical limitation of human beings and the advanced consciousness of the times, people carried out different logical representations on the three dimensions of the system of contemporary aesthetics in the Economic and Philosophical Manuscripts of 1844, ie the nature, scale and dissimilation of classes. To a certain extent, weakened the understanding of Marx’s aesthetic thoughts. This dissertation attempts to deconstruct the whole process of alienation and digestion by presenting the current thinking of inertia and the context of our reality as a category to present the contemporary problems into the study of the predecessors, Theoretical perspective has been sublimated reality.