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中国画作品是依附于一定的绘画媒材而最终得以展现。在某种意义上说,绘画媒材与绘画作品关系密切;媒材的发展变化不但影响绘画的存在形式和质量,而且会影响绘画的某些观念。在绘画发展史中,屏风作为古代传统的绘画媒介和依附,具有双重性,进一步对绘画的观念产生了影响;高温结晶色作为当代的流行的绘画材料,对岩彩画的发展起到深远的影响。它们各自适应不同的绘画观念,又各自的发展为绘画观念提供可能性。材料和观念互相依存,互相制约。
Chinese painting is attached to a certain medium of painting and ultimately to show. In a sense, the painting medium is closely related to the painting works; the development and change of the media not only affect the form and quality of the painting, but also affect some concepts of the painting. In the history of the painting development, the screen, as the ancient traditional medium of painting and attachment, has duality and further influences the concept of painting. High temperature crystallization, as a popular contemporary painting material, plays a profound role in the development of rock paintings influences. They each adapt to different concepts of painting, and their respective development offers the possibility of painting concepts. Materials and concepts are interdependent and mutually restrictive.