拉场戏是东北二人转的分枝,其母体为地秧歌。辽阳地区的秧歌又称地会,是一种大型群舞,由多人组成的秧歌队走过街场后,于广场、庙会、村庭院落成阵势图形,最后圈成小场,再由二、三人下场表演各类舞蹈,绝技,民歌小调,谓之下清场,这便是二人转、拉场戏的母体。明代中叶,海城牛庄一带成为辽东最大的贸易口岸,各地商贾云集至此,中原各地的弋阳、花鼓、清曲等多种曲调随之流入,尤其山西的“耍孩儿”对当地秧歌产生重要影响,经过融汇吸收,形成辽南的昆高笛曲,统一在唢呐的伴 Pull the scene is a branch of the Northeast duo, the mother of Yangko. Liaoyang Yangge also known as the land, is a large group dance, composed of many people Yangko team walk through the street, in the square, Temple Fair, the village courtyard into a battleground graphics, and finally into a small circle, and then by two or three The performance of various types of dance performances, stunts, folk songs in minor, that under the clearance, this is the transfer of two people, pulling the scene of the mother. The mid-Ming Dynasty, Haicheng Niuzhuang area became Liaodong’s largest trading port, merchants gathered around this Central Plains around the Yiyang, Hublot, Qing Qu and other inflows followed, especially in Shanxi “play children ” on the local Yangko Have a significant impact, after convergence absorption, the formation of southern Queensland flute, unified in the suona’s companion