论文部分内容阅读
张庚先生指出的戏曲“综合性”特征实质上指的是戏曲的开放性。戏曲的这种“综合性”特征不是指几种艺术门类的简单累加,而是指在符合戏曲美学规律的前提下各种艺术门类最高成就的融通和融汇。更应该看到的是,不同艺术门类并不是单纯的形式,他们都会反映着时代文化精神。戏曲“综合性”特征包含的是从形式到内容的开放,从根本上体现的是对戏曲本体美学原则的继承坚守和向时代文化精神开放的辩证统一。时代发展到今天,戏曲
The characteristics of the drama “comprehensive ” pointed out by Zhang Geng refer to the openness of drama in essence. The “comprehensiveness” feature of opera does not refer to the simple summation of several art categories, but refers to the blending and blending of the highest accomplishments of various art categories under the premise of complying with the laws of opera aesthetics. What should be seen is that different art categories are not simple forms, and they all reflect the cultural spirit of the times. The feature of drama “comprehensiveness ” includes the opening from the form to the content and fundamentally embodies the dialectical unification of inheriting the esthetics principle of the opera ontology and opening up to the cultural spirit of the time. Times to today, drama