批评家权美媛在《一件艺术作品的生成:FGT和再生的可能性,分享的机会,脆弱的休战协议》一文中表示,费利克斯·冈萨雷斯-托雷斯(Felix GonzalezTorres,以下简称FGT)的作品教会我们如何思念不曾见过的艺术家其人,而同时感受到对于一些不曾拥有之物的失去。,与其说上海外滩美术馆(Rockbund Art Museum,以下简称RAM)在此次展示FGT作品的过程中梳理了艺术家的创作脉络或加以某种更具时代感的解读,不如说两位策展人——拉瑞斯·弗洛乔、李棋在RAM看似硬性的内部空间与FGT看似软性的作品轮 Critics of the United States Mi Yuan in the “creation of a work of art: the possibility of FGT and regeneration, opportunities for sharing, fragile truce agreement” in a text, Felix Gonzalez-Torres (Felix Gonzalez Torres, hereinafter referred to as FGT) teaches us how to miss artists who have not seen them, while at the same time feeling lost for something that we did not own. Rather than combing the artist’s creative context or giving a more contemporary interpretation during the exhibition of FGT works, the Shanghai Museum of Art (Rockbund Art Museum), rather than the two curators, - Larris Flooch, Lee Chee Seemingly Rough Interior Space in RAM and FGT Seemingly Soft Works Round