【摘 要】
:
音乐表演作为二度创作,它成为作曲家与欣赏者之间的重要桥梁。作曲家把脑海中的旋律物化为乐谱,表演者将自身的理解与技术把乐谱外化为音响传递给听众,欣赏者再通过听觉与视
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音乐表演作为二度创作,它成为作曲家与欣赏者之间的重要桥梁。作曲家把脑海中的旋律物化为乐谱,表演者将自身的理解与技术把乐谱外化为音响传递给听众,欣赏者再通过听觉与视觉将其内化,经由各自的审美,产生对一部音乐作品的感受与理解。在此三个环节中,表演者将乐谱内化再外化的过程中就已经有了创造性活动的参与;同时,当欣赏者将音响内化形成各自的理解时,又一次形成创造性。
As a second creation, musical performance has become an important bridge between composers and appreciators. The composer converts the melody in his mind into a musical score, and the performer transforms the musical score into an audio using his or her own understanding and technology. The listener internalizes it through hearing and vision, and through his own aesthetic, Feelings and understanding of music works. In these three sessions, performers already participate creatively in the process of internalizing and externalizing musical scores, and at the same time, they create creativity once the appreciator internalizes the sound to form their own understanding.
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