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我认为,提升自由诗,成形格律体新诗,增多诗体,是新诗诗体重建的三项美学使命。审美视点是创作主体与创作对象的独特关系,是创作主体审美地把握世界的独特方式。不同的审美视点形成艺术门类的分水岭,带来不同的文体可能。诗人要进入诗的世界,首先要获得诗的审美观点。不同的审美视点,使不同文学品种的创作者,在哪怕面对同一审美对象时,也显现出在审美选择和艺术思维上的区别。散文的审美视点偏向绘画,诗的审美视点偏向音乐。诗的视点是内视点。内视点决定了作品对于诗的隶属度,或者说,决定了一首诗的资格程度。
I think it is the three aesthetic missions to upgrade the free verse, shape the new verse and increase the poem style. Aesthetic point of view is the unique relationship between the subject of creation and the object of creation, and is the unique way for the subject of creation to grasp the world aesthetically. Different aesthetic perspectives form the watershed of the art genre, bringing different stylistic possibilities. Poets want to enter the world of poetry, we must first get the aesthetic point of view of poetry. Different aesthetic perspectives make the creators of different literary varieties show the difference between aesthetic choice and artistic thinking even in the face of the same aesthetic object. The aesthetic point of view of prose tends to painting, and the poetic aesthetic point of view tends to music. Poetry point of view is the point of view. The internal point of view determines the degree of subjection of the work to the poem, or, in other words, the qualifications of a poem.