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今年是抗日战争五十周年。虽然半个世纪过去了,但大凡在抗战最艰苦的时期,在重庆与昆明,同陈铨的“战国策”派和美化汉奸的《野玫瑰》作过斗争的思想文化界的人士,无不对此记忆犹新。陈铨对今天的一般读者是陌生的。他生于1905年,毕业于清华大学,曾留学美德两国,接受过尼采哲学和法西斯主义。抗战期间在昆明西南联合大学任教。1940至1942年间与人在昆明、重庆创办《战国策》、《战国》等刊物,宣扬“民族主义文学”,起了为蒋介石的反动政策效劳的作用。陈铨写的话剧《野玫瑰》受到国民党当局及他们控制的报刊的赞赏,藉以抵消因郭沫若《屈原》的演出而在大后方人民心中造成的巨大影响。除话剧《野玫瑰》等外,陈铨尚写有反共
This year marks the fiftieth anniversary of the War of Resistance Against Japanese Aggression. Although half a century has passed, most people in the ideological and cultural circles who fought in Chongqing during the most difficult period of the war against Kunming, Chen Quan’s “Warring States Policy” faction and the “wild rose” that beautifies the traitors are all right This memory is still fresh. Chen Quan is unfamiliar to today’s average reader. He was born in 1905 and graduated from Tsinghua University. He studied in the United States and Germany and accepted the philosophy and fascism of Nietzsche. During the war of resistance in Kunming, southwest United University. Between 1940 and 1942, he founded “Warring States” and “Warring States Period” publications in Kunming and Chongqing to promote “nationalistic literature” and played a role in serving Chiang Kai-shek’s reactionary policy. The play “Wild Rose” written by Chen Quan was applauded by the Kuomintang authorities and the newspapers and magazines under their control to offset the enormous impact caused by Guo Moruo’s performance of “Qu Yuan” in the hearts of the people behind the Great Wall. In addition to the drama “Wild Rose”, Chen Quan wrote anti-communism