实验水墨论

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一 实验水墨目前态势评估 实验水墨的创作就目前的态势来说,其指向性在实现水墨艺术朝国际化与本土化的双向推进。这就既为它今后的发展奠定了一个较为坚实的基础,又将在相当一个时间内是中国当代艺术的一个热门话题。实验水墨从边缘逐渐被推置于焦点位置,固然是因为它代表了现代水墨运动最新的成果与发展现状,更大的机遇应该说是近年从国际到国内的艺术情势均有了很大的改变,这种改变使批评家认为实验水墨有话可说。批评对焦点问题的确立,无疑对实验水墨的创作起了积极的推动。从93年《廿世纪末中国现代水墨艺术走势》丛书出版到96年“走向廿一世纪的中国现代 An Experimental Ink Assessment of the Current Situation Experimental Ink Creation In the current situation, its directionality in achieving ink two-way international and localization of ink art. This will not only lay a solid foundation for its future development but will also become a hot topic in contemporary Chinese art for quite some time. Experimental ink has gradually been pushed to the focal point from the edge, not only because it represents the latest achievements and development status of the modern ink and wash movement. More opportunities should be said that in recent years, the artistic situation from the international to the domestic has been greatly changed This change has made critics think there is nothing to say about experimental ink and wash. Criticism of the establishment of the focal point issue undoubtedly played an active role in the experimental ink painting. From 93 series of “The Trend of Chinese Modern Ink Art at the End of the Twentieth Century” to 96 "Modern China in the 21st Century
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