本文通过“■”四个象形文字的演化逻辑,类比出中国图形创意设计的四个发展阶段。分别是(比)——特指与西方成熟图形创意体系的比较之后的认识和吸纳过程;(从)——即跟从、模仿、学习、演练的阶段。模仿与演练过程为实现图形理念层面及形式层面的不断创新打下坚实的基础;(北)——字形如两人背对,表示“反者道之动”的深刻含义。尤指在有一定的认识和实践后,反思自省,在矛盾中领悟的阶段。(化)——一切为我所用,从心所欲演绎的一个阶段。这个字形也特别像中国古代的阴阳太极图,设计者能达到一定的深度,产生动态的转换。 Through the evolutionary logic of the four hieroglyphs of “” ’s ’ s “” ’s characters, this text classifies out four stages of development of Chinese graphic design. (Ratio) - specifically after the comparison with the mature Western graphic system of awareness and absorption process; (from) - that is, follow, imitation, learning, exercise stage. The process of imitation and exercise lays a solid foundation for realizing the constant innovation in the graphic philosophy level and the formal level. (North) - The shape of the character faces the profound meaning of “movement of the obscurantism” as the two people are facing each other. Especially after having a certain understanding and practice, we should reflect on the stage of introspection and comprehension in contradictions. (Of) - all for my use, from the heart of a stage of interpretation. This glyph is also particularly like the ancient Chinese yin and yang tai chi figure, the designer can reach a certain depth, resulting in a dynamic conversion.