《希望之光》(见上图)之根材是我在山区工作时,于一农家院旁发现的,其为一块瘤结满布,形状奇、古、怪、绝的柏木根料,高120cm,重30kg,那农户打算作烧柴之用。我审视后花钱买回了这块根材。一根到手,百看千相,我观察了数月,终于从杂乱无章的根枝、疤结、洞穴中悟出了真谛。经精心取舍、打磨,不拼不接,只是配一艺术底座即告成功。该作品形似一少女背着双手,蹦蹦跳跳地行走在崎岖的山间小道上,头发自然,面部右视有动感,臂部旁有一疱瘤形似书包。于是,我联想到了贫困地区的失学少年在“希望工程”启动以后得到救助,重新获得读书机会,背着书包,高高兴兴去上学的情景,故命名为《希望之光》,使作品表现的内涵更加深远。这件作品形象生动,线条流畅,两面均可欣赏,少女天真、活泼的形象栩栩如生。该作品在湖 The root of the “Light of Hope” (pictured above) was found near a farmer’s house when I was working in the mountains. It was a cedar root material with a lump of knot, odd shape, 120cm, weight 30kg, that farmer intends to make use of firewood. I looked after spending money to buy this piece of timber. One hand, one hundred thousand phase, I observed for several months, and finally from the chaotic root branches, scar knot, cave to realize the true meaning. After careful selection, polished, unskilled, but with an art base that success. The work is shaped like a girl carrying her hands and bouncing on a rugged mountain trail with natural hair, a right-sided face with a dynamic look, and a blister-shaped bag next to her arm. So, I think of the poor youth in poor areas after the “hope project” started to be rescued, regain reading opportunities, carrying a school bag, happily go to school scene, so named as “the light of hope,” so that works The meaning of performance is more far-reaching. Vivid image of this work, smooth lines, both sides can enjoy, girls innocent, lively image lifelike. The work is on the lake