在阒寂无人的空旷大厅里漫无目的滑行的孤独身影、破碎于镜中的白色肖像、在起点与终点相互交错的天梯上执着攀登的婴儿等。——缪晓春在《2个大录像》中用投射到墙壁上的巨大影像覆盖了观众对于日常生活景观的习惯性依赖,并用动态的数字语言铺陈开一段关于人类末世命运的冰冷玄想。 A lone figure of purposeless gliding in a dead empty hall, a white portrait broken in the mirror, a baby clinging to a ladder that starts and ends intertwined. - Miao Xiaochun covered the audience's habitual dependence on the landscape of everyday life with the huge video projected onto the wall in “Two Great Videos” and used dynamic digital language to lay out a icy mystery about the fate of human beings.