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陶渊明是中国文学史上第一个大量写饮酒诗的诗人。他的饮酒诗和田园诗一样,是其矛盾思想合二为一的集中体现。《饮酒》二十首以“醉人”的语态或指责是非颠倒、毁誉雷同的上流社会;或揭露世俗的腐朽黑暗;或反映仕途的险恶;或表现诗人退出官场后怡然陶醉的心情;或表现诗人在困顿中的牢骚不平。《饮酒》二十首为一组诗,创作时间不同。从中我们得以一窥陶渊明徘徊于“入世”与“归隐”间的足迹。
Tao Yuanming is the first poet in the history of Chinese literature to write a large number of drinking poems. Like his idols, his drinking poem is a concentrated embodiment of his contradictory ideas. Twenty of the “drunken” drunkenness of the voice or accusation of the “intoxicating” non-reversal, prejudice the same high society; or expose the worldly decadent darkness; or reflects the sin of career; Or express the discontent of the poet in his distress. Twenty alcoholic drinks are a group of poems with different creation dates. From which we can get a glimpse of Tao Yuanming’s wandering between the footsteps of “WTO” and “Hermitage”.