雷子人所画的人物,在画面中看来仿佛是一些抽离了具体时间、空间和情境的活动片段的组合。时间和情节的概念在他的画面中似乎不再重要,和中国绘画的传统一样,画家竭力想要表现的是一种宁静、平和的心态。但是实际上,雷子人的人物素材大多是来自现实生活中具有某种具体性的场景,他的工作不过是挑选一些更为安静的场景,打破这种具体性的编织,按照理想的方式将若干行为动作重新结合在一起.最后,出现在他画面中的人物,往往是处在一种风花雪月的浪漫情杯之中,很明显在画家选择的素材和画面的最后呈现之间从创作开始就发生了一个微妙的质变。 The characters drawn by the Reds seem to appear in the frame as a combination of moving fragments that have been pulled away from specific time, space, and context. The concept of time and plot seems to be no longer important in his picture. Like the tradition of Chinese painting, the painter endeavored to show a peaceful and peaceful state of mind. But in fact, most of Ray’s characters are from some concrete scenes in real life. His job is merely to pick out some quieter scenes to break the concrete weaving, and in an ideal way A number of behavioral movements back together.Finally, the characters appear in his picture, often in a romantic love Cup, it is clear that the material selected by the artist and the final presentation of the picture from the beginning of creation A subtle qualitative change took place.