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谈到中国的当代艺术,似乎定要提到85新潮美术运动,它已成为近代中国艺术由传统的苏派美术教育和绘画模式到文革时代的革命现实主义的红、光、亮,以及于上世纪七十年代末表达对现实关注的伤痕美术的分水岭。其实用今天的眼光去审视85新潮美术,就不难发现它仅能表现那个年代中国艺术家的良知自觉尚处在朦胧状态下;照搬模制近现代西方艺术结果的展示而已。在上世纪七十年代,西方艺
When it comes to China’s contemporary art, it seems certain to mention the new trend of the 85 art movement, which has become the red, the light, the bright, and the revolutionary realism of the modern Chinese art from the traditional model of Soviet art education and painting to the revolutionary era The watershed in the late 1970s that expresses the wound art that focuses on reality. In fact, it is not hard to find out from today’s perspective the new trendy art of 85. It is not hard to find that it can only show the conscience of Chinese artists in that era consciously still in a state of dimness; just copying the demonstration of the result of molding modern Western art. In the seventies of last century, western art