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中世纪英国神秘连环剧主要以圣经中的片段故事为题材,内部各剧间相对独立,表演和观剧过程不断出现中断和受到干扰,舞台布景是暗示性的,许多演员都是观众身边熟悉的人,戏剧改编中做了大量喜剧化处理。所有这些“自然”形成了戏剧的间离效果。但另一方面,由于神秘连环剧内容和观众自身的宗教特性,演出中舞台上表演的内容和日常生活的内容得以密切关联。戏剧作者也刻意通过内容的同时代化处理、音乐、抒情性独白,及制造观演空间一体化的幻觉等方式,缩短观众与戏剧之间的心理距离,引发其共鸣。在英国中世纪神秘连环剧中,间离和共鸣效果往往巧妙地服务于戏剧意图的实现。这一认识角度也许可为欣赏和评价英国神秘连环剧提供新的参考。
The medieval British mysterious serial drama is mainly based on the fragment in the Bible as the subject matter, the relatively independent internal drama, the process of performance and drama continue to appear interrupted and disturbed, the stage setting is suggestive, many of the actors are familiar with the audience , Drama adapted a lot of comedy. All of these “natural” forms a dramatic separation effect. However, on the other hand, due to the content of the mysterious comic series and the audience’s own religious features, the performance content on the stage and the content of daily life are closely linked. Drama writers also intentionally shorten the psychological distance between the audience and the drama and arouse their resonance by means of contemporary content processing, music, lyric monologue and the illusion of making the integration of viewing space. In the British medieval mysterious serial drama, the effect of distance and resonance often subtly serve the realization of dramatic intent. This perspective may provide a new reference for appreciation and evaluation of the British mysterious series.