蒲国昌的绘画,将艺术的根植于贵州高原深沉的泥土中,把自己的审美触须深深扎进自己生长的土地,这块土地既有历史渊源的纵向氛围,又有时代联系的横向氛围。他探索具有区域性、时代性的个性风格,他不仅表现区域性、民族的表象,并且要求表现深层的文化审美心态,求索这种心态的形式表达,因而他的作品超出了直观的视觉世界,而进一步表达他具有个 Po Kuo-chang’s paintings rooted art in the deep soil of the Guizhou plateau and plunged his aesthetic tentacles into the land of his own growth. This land has both the historical atmosphere of historical origins and the horizontal atmosphere of the times. He explores the personality style with regional and epochal character. He not only displays the regional and national appearance, but also demands the expression of deep cultural aesthetic mentality and the formal expression of this mentality. Therefore, his work goes beyond the visual visual world, He further expressed that he has one