“新生代作家”在中国当代文坛具有双重含义:其一是针对新近崛起的80后作家,他们中的大部分人接受了高等教育,对于西方文化有较为深入的了解,以愤世嫉俗的态度游离于主流文学的边缘地带。其二则特指20世纪60年代出生、90年代开始活跃于文坛的作家,他们挣扎于老一辈作家的光环和新一代作家的强势之间。呈现在笔者面前的短篇小说《二月花》是新生代作家何雨生的新作,他应该归入到后一类作 “New Generation Writers ” has a double meaning in contemporary Chinese literary circles: one is for the newly rising post-80s writers, most of whom have received higher education, have a deeper understanding of Western culture, and are cynical Free from the edge of mainstream literature. The second refers specifically to writers who were born in the 1960s and active in the literary world in the 1990s, struggling between the aura of older writers and the power of a new generation of writers. The novel “February Flower” presented in front of the author is a new work by the new generation writer He Yunsheng and should belong to the latter category