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从创作心理学角度来讲,当诗人的某种情感达到一定强度时,理性的认知与判断能力就会削弱,当这种强烈的情感达到极点时,他的主观状态便进入一种真假难辨、美丑难分、物我一体、主客混同和亦真亦幻的心理状态。因此南宋严羽在《沧浪诗话》中说:“诗有别趣,非关理也”。从诗抒不可解之情来说,诗歌创作是“不讲理”的,是不受知性逻辑束缚的,中国古诗词在审美追求上,讲究的是言外之意、趣外之旨,无理而妙,痴情真趣,体现的是一种无理和有情的悖谬与统一,这正所谓“有理未必真诗趣,道是无理却有情”。
From the perspective of creative psychology, when a certain emotion of a poet reaches a certain intensity, the ability of cognition and judgment of reason will be weakened. When such a strong emotion reaches its extreme, his subjective state enters a real or false situation Difficult to distinguish, the United States and Uganda difficult to distinguish, the thing I am one, the subject and the guest mix and true psychic state. Therefore, the Southern Song Yan Yu in “Canglang Poetry” said: “Poetry has fun, non-care also ”. From the perspective of solvable poetry, poetic creation is “unreasonable ”, is not bound by the logic of intellectualism, the ancient Chinese poetry in the pursuit of beauty, stress is the meaning of extra-curricular, extra-curricular purpose, The infatuated love is a kind of unreasonable and passionate absurdity and unification. This is what the so-called “rational may not really have a poetic interest, but a truthless and affective way”.