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新世纪的中国影坛涌现出一批70后的女性导演群落,这批70后女性导演的创作成长轨迹呈现出诸多的相似性。她们在早期作品中专注于女性个体成长的书写,无论是从主题的设定、情节的设置抑或是视听语言的运用各个方面都具备极强的女性意识。而其到了中后期的创作,她们的创作不约而同地在叙事、视听语言各个层面开始了商业上的转型。但在突围的同时其作品中的女性主义意识也在渐渐地淡化甚至丧失。
In the new century, a group of Chinese female film directors emerge from the Chinese cinema, and these 70 female film directors show a lot of similarities in their creative growth trajectories. In their early works, they focused on the development of women’s individual growth, with strong female consciousness in all aspects, from the setting of themes to the setting of plots or the use of audio-visual languages. However, in the later period, their creations coincidentally started the commercial transformation in all levels of narration and audio-visual language. However, at the same time of breaking out, feminist consciousness in his works is also gradually diluted or even lost.