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小说就其本性来说,不是传达世俗识见,而是以作家的独到发现去揭示人性、证明良知。夏目簌石的《心》、伯尔的《列车正点到达》和陀思妥耶夫斯基的《罪与罚》就是很好的例子,这三个文本的题材与背景各不相同,但都把对话放在灵魂的深层,叙述的不是社会势力的冲突,而是无止境的内心冲突。具有人性深度的作品总是涉及苦难和忏悔意识,具有复调性。而文学的永久价值与净化作用,只有立足于超越的立场才是真实的。
The novel, by its very nature, does not convey the secular opinion, but reveals the human nature with the author’s unique discovery and proves the conscience. Good examples are Natsume’s Heart, Burr’s Train Arrival, and Dostoyevsky’s Sin and Penalty, each with a different theme and background Putting dialogue in the depths of the soul does not describe the conflicts of social forces but the endless conflicts of heart. Depth of humanity works always involve the sense of suffering and repentance, with polyphonic. The permanent value of literature and the role of purification, only based on the position of transcendence is true.