与苏童在《碧奴》中表现的古典式的社会悲剧不同的是,叶兆言在《后羿》中表现的是一种世俗人生中的命运悲剧——嫦娥本是个人间女子,神的使者后羿降临人间时饱受欺凌,而嫦娥却在同病相怜的患难中完成了对后羿的角色转换——母亲、姐姐到情人、妻子——她是后羿的一切。而在后羿从她身上获得了人的力量成为万众瞩目的英雄后,嫦娥却不知道自己再应该如何爱后羿,而逐渐被疏远,直至 Unlike Su Tong’s classic social tragedy in Bi Nu, Ye Zhaoyan’s “Houyi” is a tragedy of fate in secular life - Chang Eben is an inter-personal woman and God’s messenger Hou Yi When he came to earth, he was bullied. Chang’e, however, completed the conversion of Hou Yi in the midst of the same affliction - mother, sister to lover and wife - she was all Hou Yi. After Hou Yi gained human power from her and became a much-anticipated hero, Chang E did not know how he should love Hou Yi, and was gradually estranged until