戏剧符号学是一门萌芽于20世纪初并结合了结构语言学和形式主义文学批评的学科。本文属于跨学科研究,通过以时间、名字、物品与人物行为的社会意义为代码对诺贝尔文学奖获得者、爱尔兰杰出作家塞缪尔·贝克特创作的《等待戈多》进行分析,实现为读者提供新的戏剧解读方法及帮助加深理解该剧的研究目的。 Semiotics of Drama is a discipline that began in the early 20th century and combines structural linguistics with formalistic literary criticism. This article is an interdisciplinary research that analyzes “Waiting for Godot” by Nobel laureate Winner Samuel Beckett, an Irish author, by using the social meanings of time, name, object and character as the code. Readers provide new ways to interpret plays and help deepen their understanding of the study’s purpose.