当电影从无声走向有声,就不断有电影人或音乐人尝试在电影艺术中加入新的音乐元素,寻求音乐元素在电影表达中的创新。在2002年由波兰导演罗曼-波兰斯基执导的影片《钢琴师》中,对音乐元素运用就是一次经典的尝试:在影片中,音乐的应用并不频繁,而且多是运用肖邦的经典作品,但是往往出现于关键处,成为电影逻辑表达,主题深化的必要因素。 As the film moves from silence to sound, there are constantly filmmakers or musicians attempting to add new musical elements to the art of cinema, seeking innovative elements of music in cinema. In the 2002 film “Pianist” directed by Polish director Roman Polanski, the use of musical elements is a classic attempt: in the film, the music is not often used, but mostly by using Chopin’s classic works, However, it often appears in the key place and becomes the necessary factor for the movie to express its logic and deepen the theme.