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新诗史上有过数次关于格律问题的讨论,大致反映出本土化与现代化两个基本倾向:前者认为诗歌具有特殊的民族形式,因而强调现代汉语与古汉语的延续性;后者则强调现代汉语之于古汉语的特殊性,尤其是翻译对现代汉语基因形成的特殊影响。撇开较早的讨论不说,1949年以后,林庚先生可以视为前一种倾向的代表,何其芳和卞之琳可以视为后一种倾向
There have been several discussions on the issue of metrical law in the history of new poetry, which basically reflect two basic tendencies of localization and modernization: the former holds that poetry has a special national form and therefore emphasizes the continuity of modern Chinese and ancient Chinese while the latter emphasizes modern Chinese The particularity of ancient Chinese, especially the special influence of translation on the formation of modern Chinese genes. Apart from the earlier discussion, Mr. Lin Geng, after 1949, can be regarded as the representative of the former tendency. He Qifang and Bian Zhilin can be regarded as the latter tendency