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在塞缪尔·贝克特的独幕剧《克拉普的最后一盘录音带》中,录音机和人的并置成为该剧的焦点,贝克特着眼于录音机的技术弊端和人机互动过程中给人带来的消极影响。他指出:录音机的技术复制造成主体记忆的断裂,录音机的播放阻碍主体的自我认同,消解主体的统一性和稳定性。剧作家借助录音机揭示了技术对人的异化,凸显了生命主体的消解。在科技高度发展的时代,该剧无疑对盲目追捧技术创新的现代人起到警醒作用,表达了剧作家对技术时代人类生存状况的深切关怀。
In Samuel Beckett’s one-act play “Krapp’s Last Tape”, the juxtaposition of tape recorders and people became the focus of the show, with Beckett focusing on the technological flaws and human-computer interaction of tape recorders The negative impact. He pointed out: The technical copy of the sound recorder caused the rupture of the main memory and the playback of the sound recorder obstructed the self-identity of the subject and eliminated the unity and stability of the subject. The playwright reveals the dissimilation of technology to people through the tape recorder, and highlights the digestion of the subject of life. In an age when science and technology are highly developed, the play undoubtedly serves as a wake-up call to the modern people blindly pursuing technological innovation and expresses the profound concern of the dramatists for the living conditions of mankind in the technological age.