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画面的图形构架是画面中一切复杂要素的有机综合构造;是构成画面整体面貌的根本形式;是作品去掉其它一切造型因素后所剩下的最概括的图式符号。作为开掘主题、布置形象和扩展意境的重要手段,这个构架可以打破具体画种和工具的限制,跨越材料的疆界而独立存在。它就像人体的骨骼、汉字的间架结构、建筑的重力支撑,从视觉及形式角度起着支撑画面总结构和走势的作用。画面图形构架的演变与人们的时空观念发展密不可分,其根本问题在
The graphic structure of the picture is an organic integrated structure of all the complicated elements in the picture. It is the basic form that constitutes the overall appearance of the picture. It is the most general graphic symbol left after the work has removed all other styling factors. As an important means of digging the theme, arranging the image and expanding the artistic conception, this framework can break the limitation of specific paintings and tools and exist independently across the material boundaries. It is like the bones of the human body, the frame structure of Chinese characters, the gravity support of the building, and plays the role of supporting the overall structure and trend of the picture from the perspective of the visual and the form. The evolution of the pictorial framework is inseparable from the development of people’s concept of time and space. The fundamental problem lies in