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一、以气韵求其画 中国画的传神思想与庄子的形与德的思想是一脉相承的。庄子在《德充符》中提出,不以人的形为人之真,而以人的德为人之真。那么,绘画如何能超越人之形而表现出人之真即人之神呢?顾恺之曾说:“小列女,面如恨。刻削容仪,不尽生气。”《魏晋胜流画赞》“容仪”是对象的形似表现。这句话的意思是说,如果画家把精力完全放在对象的
I. Seeking Beauty with Glamor The vivid thinking of Chinese painting is the same strain as Zhuangzi’s thought of shape and virtue. Zhuangzi put forward the idea of “moral enrichment”, not taking human form as human reality, but taking human morality as human reality. So, how can the painting surpass the human form to show the human being’s god? Gu Kaizhi once said: “The little princes face as hate. Like ”“ Rong Yi ”is the object of the similar performance. The meaning of this sentence is to say that if the painter devotes her energy entirely to the object