风·水·木——一种文化理想的表述方式

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一中国传统艺术崇尚自然之道,希冀在生命的直觉感悟中去领略“天人合一”至善臻美的崇高审美境界;这种“天地与我并生,万物与我为一”的精神审美内涵中一直深藏着“风水术”文化的基因。风水术,是古人关于寻求人与自然生气结聚的最佳自然环境的学问。晋人郭璞《葬书》说“《经》曰,气乘风则散,界水则止,古人聚之使不散,行之使有止,故谓之风水。”古人观物取象的观念,为中国艺术“立象以尽意”境生象外的审美思维增加了许多自由想象力。庄子《知北游》曰:“生也死之徒,死也生之始,孰知其纪!人之生,气之聚也;聚则为生,散之为死。……故万物一也。是其所美者为神奇,其所恶者为臭腐。臭腐复化为神奇,神奇复化为臭腐。故曰:‘通天下一气耳。’……人生天地之间,若白驹之过隙,忽然而已。注然勃然,莫不出焉;油然漻然,莫不入焉。已化而生,又化而死,生物哀之,人类悲之。解其天弢,堕其天袠,纷 A Chinese traditional art advocates the way of nature and hopes to enjoy the lofty aesthetic realm of ”harmony between man and nature“ and ”perfection and perfection“ in the intuition of life. This ”heaven and earth merge with me, “The spirit of aesthetic connotation has been hidden in the ” feng shui “cultural gene. Geomantic omen is an ancient knowledge of the best natural environment for finding people and nature angry together. Jin Guo Pu ”funeral“ said ”“ by ”said, the wind by the wind is scattered, the water is only closed, the ancients gathered to make it, so that there is only, so that the feng shui.“ The concept of the ancients The concept of taking pictures increases a lot of free imagination for the aesthetic thinking of the Chinese art like ”making the image perfect“. Zhuangzi ”know the North Tour,“ said: ”life and death of the disciple, the death of the beginning of life, what is its age! People life, the gas together also; poly life, scattered to death. One is also the beauty of the United States for the magic, the evil of those stinky. Stinky complex for the magic, mysterious complex for the stinky. Therefore, saying: ’a breath of the world ...’ ... ... between heaven and earth, If the white horse of the gap, all of a sudden .But suddenly, can not Yan; Ran Ranran, Mo Yan Yan. Has been turned into, and turn to death, creatures mourn, human sadness. The sky, Fun
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