人与山水自古就是艺术中描摹刻划的题材,至魏晋时发生一大转变:“传神写照”观念的出现和山水画的兴起,也即是人与山水的觉醒的表现。人与山水不再仅仅作为“鉴戒贤愚”主题下的背景和铺陈,而是各自作为独立的艺术主题出现在中国艺术史上,从人与山水本身显现出自身形相的美,这种美带给人们更多的是“怡悦情性”。在人与山水的觉醒过程中,东汉末年盛行的人伦鉴识和魏晋玄学的兴起及推演发生了重大影响。 Since ancient times, people and landscapes have been portrayed in the art as a subject, and a great change took place in the Wei and Jin Dynasties: the appearance of “vivid portraiture” and the rise of landscape paintings, that is, the awakening of people and landscape. People and landscapes no longer merely serve as the background and display under the theme of “Yinxian Yinxu”, but appear in the history of Chinese art as independent artistic themes and show the beauty of their own shape from people and landscape itself Give people more is “Yue Yueqing sex ”. During the process of awakening of people and landscape, the cognition of human relations and the rise and deduction of metaphysics of Wei and Jin dynasties prevailed in the last years of Eastern Han Dynasty had a significant impact.