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一1941年和1943年,古元先后创作了两幅木刻版画《离婚诉》,它们都是延安美术史上的经典之作。关于古元及其版画实践,周爱民的《延安木刻艺术研究》和李夏的《抗战时期延安木刻版画民族特色研究》两篇博士论文中都作过相对系统的梳理。而单就《离婚诉》,王立民写过一篇专文《从古元的〈离婚诉〉看延安木刻的政治理念与民间文化》,对其形式语言的变化特别是观念认同作了比较详尽的分析。不过因为缺乏深入的探掘和辨析,王文只是简单地将意识形态附着于画面进行分析,从
In 1941 and 1943, the ancient yuan has created two woodcut prints “divorce v...”, They are all classic Yan’an art history. On the ancient yuan and its print practice, Zhou Aimin “Yan’an woodcut art research” and Li Xia’s “Anti-Japanese War Yan’an woodcut ethnic characteristics of the two doctoral dissertations have made a relatively systematic comb. The single ”divorce v...“ Wang Li-min wrote an article ”from the ancient yuan’s divorce v. Yan’an woodcut to see the political philosophy and folk culture," the change of its formal language, especially the concept of identity made a more detailed analysis. However, due to the lack of in-depth exploration and discrimination, Wang Wen simply attached to the ideological analysis of the screen, from