在中国文人画思想中,“卧游”是一个十分重要的概念。自南朝宋宗炳(三七五—四四三,字少文)约一千六百年前首次提出以来,“卧游”逐渐演变为中国人观画的代名词。在这一历史过程中,明代画家沈周是一位重要的代表人物,他的“卧游”思想,对后世文人画的观看之道,尤其是对其所开创的中国最大画派—吴门画派有着深远影响。沈周(一四二七—一五○九),字 In the Chinese literati and painting ideas, “lying ” is a very important concept. Since the Southern Song Zongbing (3775 - 443, Zi Shaowen) was first proposed about 1,600 years ago, “lying on the floor ” gradually evolved into a synonym for Chinese painting. During this historical process, Shen Zhou, an artist in the Ming Dynasty, was an important representative. His “lying on his back” thought, his way of watching the literati paintings of the later generations, especially his creation of the largest Chinese school of painting Wu Door School has a profound impact. Shen Zhou (1427 - 1509), the word