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我国的民族声乐艺术在最近几十年的传承、借鉴和发展过程中,由于认识上的发展变化,在不同的时间段内总是有所侧重。上世纪八十年代前的声乐演员的歌唱技巧训练偏向于民间唱法的多一些,而上世纪八十年代后,我们的声乐演员的歌唱技巧训练更偏向欧美的美声唱法些。歌唱演员这样的技术偏向也明显地影响到受众群体审美趣味的变化。从生理结构上简单地说,我们的民族声乐演员在偏西和偏中的技术训练后,体现在声音表现上不是偏假声便是偏真声,而这些训练也就产生了似乎不好调和的技术矛盾。
In the process of the inheritance, reference and development of our country’s national vocal music in recent decades, due to the changes in cognition, we always pay attention to it in different time periods. Before the eighties of last century vocal performance training of singers tend to folk singing more, and the eighties of last century, our vocal singer singing skills training more biased in favor of the United States and Europe vocal singing method. Such a technical bias singer also significantly affect the audience’s aesthetic taste changes. Physiologically speaking, simply speaking, after our national vocal music practitioners trained their skills in the west and center, they did not seem to be partial to the sound, but they did not seem to be reconciled with these exercises. Technical conflict.