《庄子》音乐美学思想提出了更多合理、人性化的观点,比《老子》音乐美学思想更具有进步意义。《庄子》音乐美学思想尽管也有其局限性但却是《老子》音乐美学思想的改造,在中国古代音乐美学史上具有巨大的意义,对后世嵇康、李贽等音乐美学思想形成起到重要的作用。 Zhuangzi’s music aesthetics put forward more rational and humane point of view, which is more progressive than “Lao Tzu” music aesthetics thought. Despite its limitations, Zhuangzi’s musical aesthetics thought is the remould of “Lao Zi”’s musical aesthetics thought, which has great significance in the history of Chinese ancient music aesthetics and play an important role in the formation of musical aesthetics thoughts such as Ji Kang and Li Mi .